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Class ambition and complex subjectivity in Dadayama The screen loves a woman’s story, and we do too. From the groundbreaking...

Meenakshi Shedde’s 27-year Berlinane legacy As the cinematic world gears up for the 76th Berlin International Film Festival (Berlinale), set...

The screen loves a woman’s story, and we do too. From the groundbreaking first Sinhala talkie, Kadavunu Poronduwa (1947), right...

The screen loves a woman’s story, and we do too. From the groundbreaking first Sinhala talkie, Kadavunu Poronduwa (1947), right...

Filmmaker Vimukthi Jayasundara has again captured the world’s attention with the world premiere of his fifth film, ‘Spying Stars’, at...

Stupid is the new smart, and it’s hilarious… Thisara Imbulana’s second cinematic venture, ‘Moda Tharindu’, is a truly hilarious and...

Chathra Weeraman’s latest film Ayu is quite a feminine story, one that reveals South Asian feminine subjectivity, which is fragile,...

The screen loves a woman’s story, and we do too. From the groundbreaking first Sinhala talkie, Kadawunu Poronduwa (1947), right...

The Golden Age rises again: Sri Lankan cinema’s 12 restored masterpieces shine Sri Lankan cinema is currently experiencing an absolute...
